At the origins of Classical opera (Record no. 60824)

MARC details
000 -LEADER
fixed length control field 01933nam a2200253Ii 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221202s xx 000 0 und d
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rista, Pervinca,
Relator term author
245 #0 - TITLE STATEMENT
Title At the origins of Classical opera
246 ## - VARYING FORM OF TITLE
Title proper/short title Carlo Goldoni and the «dramma giocoso per musica»
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Bern
Name of producer, publisher, distributor, manufacturer Peter Lang International Academic Publishers
Date of production, publication, distribution, manufacture, or copyright notice 2018
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (172 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 ## - SERIES STATEMENT
Series statement Varia Musicologica
Volume/sequential designation 24
520 ## - SUMMARY, ETC.
Summary, etc. <P>Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not <BR>but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the <I>dramma giocoso per musica</I>, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition. </P>
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Carlo
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Classical
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Dramma
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Giocoso
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Goldoni
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/26696/1/1003365.pdfhttp://library.oapen.org/handle/20.500.12657/26696">https://library.oapen.org/bitstream/20.500.12657/26696/1/1003365.pdfhttp://library.oapen.org/handle/20.500.12657/26696</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

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