Nonhuman voices in Anglo-Saxon literature and material culture (Record no. 64426)

MARC details
000 -LEADER
fixed length control field 02443nam a2200241Ii 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221202s xx 000 0 und d
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Paz, James,
Relator term author
245 #0 - TITLE STATEMENT
Title Nonhuman voices in Anglo-Saxon literature and material culture
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Manchester University Press
Date of production, publication, distribution, manufacture, or copyright notice 2017
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (248 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 ## - SERIES STATEMENT
Series statement Manchester Medieval Literature and Culture
520 ## - SUMMARY, ETC.
Summary, etc. Anglo-Saxon ‘things’ could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone column that speaks as if it were living wood, or a wounded body. In this book, James Paz uncovers the voice and agency that these nonhuman things have across Anglo-Saxon literature and material culture. He makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.  Nonhuman voices in Anglo-Saxon literature and material culture invites us to rethink the concept of voice as a quality that is not simply imposed upon nonhumans but which inheres in their ways of existing and being in the world. It asks us to rethink the concept of agency as arising from within groupings of diverse elements, rather than always emerging from human actors alone.
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Anglo-Saxon
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Uncontrolled term Beowulf
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Uncontrolled term Franks Casket
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Uncontrolled term Material Culture
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Middle Ages
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/31338/1/631090.pdfhttp://www.manchesteruniversitypress.co.uk/9781526101105/http://library.oapen.org/handle/20.500.12657/31338">https://library.oapen.org/bitstream/20.500.12657/31338/1/631090.pdfhttp://www.manchesteruniversitypress.co.uk/9781526101105/http://library.oapen.org/handle/20.500.12657/31338</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

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