Performing Hysteria (Record no. 64677)

MARC details
000 -LEADER
fixed length control field 02636nam a2200265Ii 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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245 #0 - TITLE STATEMENT
Title Performing Hysteria
246 ## - VARYING FORM OF TITLE
Title proper/short title Images and Imaginations of Hysteria
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Leuven University Press
Date of production, publication, distribution, manufacture, or copyright notice 2020
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. Cross-disciplinary analysis of contemporary images and representations of hysteria We seem to be living in hysterical times. A simple Google search reveals the sheer bottomless well of “hysterical” discussions on diverse topics such as the #metoo movement, Trumpianism, border wars, Brexit, transgender liberation, Black Lives Matter, COVID-19, and climate change, to name only a few. Against the backdrop of such recent deployments of hysteria in popular discourse::particularly as they emerge in times of material and hermeneutic crisis::Performing Hysteria re-engages the notion of “hysteria”. Performing Hysteria rigorously mines late 20th- and early 21st-century (primarily visual) culture for signs of hysteria. The various essays in this volume contribute to the multilayered and complex discussions that surround and foster this resurgent interest in hysteria::covering such areas as art, literature, theatre, film, television, dance; crossing such disciplines as cultural studies, political science, philosophy, history, media, disability, race and ethnicity, and gender studies; and analysing stereotypical images and representations of the hysteric in relation to cultural sciences and media studies. Of particular importance is the volume's insistence on taking the intersection of hysteria and performance seriously. Contributors: Johanna Braun (University of Vienna), Vivian Delchamps (University of California), Cecily Devereux (University of Alberta), Sander L. Gilman (Emory University), Elke Krasny (Academy of Fine Arts Vienna), Jonathan W. Marshall (Edith Cowan University, Western Australian Academy of Performing Arts), Sean Metzger (University of California), Tim Posada (Saddleback College), Elaine Showalter (Princeton University), Dominik Zechner (Brown University / Rutgers University)
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Media Studies
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Uncontrolled term Performing Arts
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Uncontrolled term Social Science
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Uncontrolled term Social Science
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Theater
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name 0000-0002-6109-2653
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name 500
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Braun, Johanna
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/50648/1/external_content.pdfhttps://library.oapen.org/handle/20.500.12657/50648">https://library.oapen.org/bitstream/20.500.12657/50648/1/external_content.pdfhttps://library.oapen.org/handle/20.500.12657/50648</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

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