TY  - BOOK
AU  - Bevilacqua,Frédéric
AU  - Brandstetter,Gabriele
AU  - Diers,Michael
AU  - Fdili Alaoui,Sarah
AU  - Gehm,Sabine
AU  - Gintersdorfer,Monika
AU  - Hickethier,Knut
AU  - Klein,Gabriele
AU  - Klein,Gabriele
AU  - Kunst,Bojana
AU  - Leigh Foster,Susan
AU  - Martin,Randy
AU  - Noeth,Sandra
AU  - Noeth,Sandra
AU  - Rein,Anette
AU  - Schnell,Norbert
AU  - Sörgel,Sabine
AU  - Townsend,Julie
AU  - Turk,Stephen
AU  - Wilcke,Katharina Von
AU  - Ziemer,Gesa
AU  - Zuniga Shaw,Norah
ED  - Knowledge Unlatched - KU Select 2016: Backlist Collection
TI  - Emerging Bodies: The Performance of Worldmaking in Dance and Choreography 
T2  - TanzScripte
SN  - 9783839415962
AV  - GV1783 .K384 2014 
U1  - 792.62 
PY  - 2014///]
CY  - Bielefeld : 
PB  - transcript Verlag, 
KW  - Arts
KW  - Body
KW  - Choreography
KW  - Cultural Theory
KW  - Gender
KW  - Imagination
KW  - Interculturalitity
KW  - Media
KW  - Psychoanalysis
KW  - Theatre Studies
KW  - PERFORMING ARTS / Dance / General
KW  - bisacsh
N1  - Frontmatter --; Contents --; Introduction --; SOCIAL REALMS --; Dancing Politics: Worldmaking in Dance and Choreography --; Between Intervention and Utopia: Dance Politics --; Dance and Work: The Aesthetic and Political Potential of Dance --; The Collective That Isn't One --; HYBRID SPHERES --; Jérôme Bel and Myself: Gender and Intercultural Collaboration --; Transnationalism and Contemporary African Dance: Faustin Linyekula --; Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums --; The Bluff of Contemporary Dance --; ART WORLDS --; Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess --; Autobiography and the Coulisses: Narrator, Dancer, Spectator --; Dance Images. Dance Films as an Example of the Representation and Production of Movement --; Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up --; DIGITAL WORLDS - PROCESSING BODIES --; Gesture Capture: Paradigms in Interactive Music/ Dance Systems --; Tables of Weights and Measures: Architecture and the Synchronous Objects Project --; Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas --; WORKING PRINCIPLES --; Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds --; Situational Worlds. Complicity as a Model of Collaboration --; Protocols of Encounter: On Dance Dramaturgy --; Notes on Contributors --; Backmatter
N2  - The concept of »worldmaking« is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day
UR  - https://doi.org/10.1515/transcript.9783839415962?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9783839415962
UR  - https://www.degruyter.com/document/cover/isbn/9783839415962/original
ER  -