TY - BOOK AU - Gvozdeva,Katja AU - Korneeva,Tatiana AU - Ospovat,Kirill TI - Dramatic experience: the poetics of drama and the early modern public sphere(s) T2 - Drama and theatre in early modern Europe SN - 9789004329768 AV - PN2049 PY - 2016///] CY - Leiden, Boston PB - Brill KW - Theater and society KW - Theater audiences KW - Theater KW - History KW - 16th century KW - 17th century KW - 18th century KW - HISTORY KW - General KW - Electronic books N1 - Includes bibliographical references and index; Preliminary Material --; Introduction: Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) --; 1 Opening Spaces for the Reading Audience: Fernando de Rojas's Celestina (1499/1502) and Niccolò Machiavelli's Mandragola (1518); Sven Thorsten Kilian --; 2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools' Play in the Italian Renaissance Comedy Gl'Ingannati (1532); Katja Gvozdeva --; 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri's and Ottavio Rinuccini's Euridice (1600); Déborah Blocker --; 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court; Wendy Heller --; 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi's L'Amore delle tre melarance; Tatiana Korneeva --; 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France; Logan J. Connors --; 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748); Kirill Ospovat --; 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen's Martyr Drama in Context; Nigel Smith --; 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre; Hans Rudolf Velten --; 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol; Toni Bernhart --; 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603-1868); Stanca Scholz-Cionca --; Index N2 - In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (editions.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience -- among both theatregoers and readers of drama -- contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call 'public sphere(s)'? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the 'public' existed in a variety of forms, locations, and cultures across early modern Europe -- and in Asia UR - https://www.jstor.org/stable/10.1163/j.ctt1w76w7w ER -