TY  - BOOK
AU  - Ball,James R.
AU  - Bayles,Martha
AU  - Brown,Nicholas Alexander
AU  - Dunkel,Mario
AU  - Dunkel,Mario
AU  - Díaz,Carlos Sanz
AU  - Feustle,Maristella
AU  - Ignácz,Ádám
AU  - Kube,Sven
AU  - Mazzola,Alessandro
AU  - Morales Tamaral,José Manuel
AU  - Nathaus,Klaus
AU  - Nieden,Gesa zur
AU  - Nitzsche,Sina A.
AU  - Nitzsche,Sina A.
AU  - Ritter,Rüdiger
AU  - Salois,Kendra
AU  - Vuletic,Dean
AU  - Şahin,Nevin Ş
ED  - Knowledge Unlatched - KU Select 2018: Frontlist Collection
TI  - Popular Music and Public Diplomacy: Transnational and Transdisciplinary Perspectives 
T2  - Studien zur Popularmusik
SN  - 9783839443583
AV  - ML3918.P67 P662 2018
U1  - 306.4842 23
PY  - 2019///]
CY  - Bielefeld : 
PB  - transcript Verlag, 
KW  - International relations and culture
KW  - Music and diplomacy
KW  - Music
KW  - Political aspects
KW  - Popular music
KW  - Cultural History
KW  - Diplomacy
KW  - History of the 20th Century
KW  - History
KW  - International Relations
KW  - Musicology
KW  - Politics
KW  - Pop Music
KW  - Popular Culture
KW  - MUSIC / History & Criticism
KW  - bisacsh
N1  - Frontmatter --; Table of Contents --; Acknowledgements --; Popular Music and Public Diplomacy --; Part I: Competition and Collaboration --; Music in Transnational Transfers and International Competitions --; The Paradoxes of Cultural and Music Diplomacy in a Federal Country --; Dervish on the Eurovision Stage --; Part II: Infiltration and Appropriation --; Between Propaganda and Public Diplomacy --; "Liberated from Serfdom" --; A Musical Inquisition? --; Part III: Education and Promotion --; Dancing in Chains --; Becoming a Blue-Collar Musical Diplomat --; Music Trade in the Slipstream of Cultural Diplomacy --; National Flamencoism --; Part IV: Representation and Participation --; The Ethics and Politics of Empathy in US Hip-Hop Diplomacy --; Popular Musicking and the Politics of Spectatorship at the United Nations --; From Sons of Gastarbeita to Songs of Gastarbeiter --; Public Diplomacy and Decision-Making in the Eurovision Song Contest --; List of Contributors --; Index
N2  - In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
UR  - https://doi.org/10.1515/9783839443583?locatt=mode:legacy
UR  - https://www.degruyter.com/isbn/9783839443583
UR  - https://www.degruyter.com/document/cover/isbn/9783839443583/original
ER  -