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Women and crime in post-transitional South African crime fiction : a study of female victims, perpetrators and detectives / by Sabine Binder.

By: Material type: TextTextSeries: Costerus new series ; volume 230Publisher: Leiden ; Boston : Brill Rodopi, [2021]Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004437449
  • 9004437444
Subject(s): Genre/Form: Additional physical formats: Print version:: Women and crime in post-transitional South African crime fiction.LOC classification:
  • PR9362.6.D48
Online resources:
Contents:
The female victim -- The female perpetrator -- The female detective.
Summary: In this ground-breaking study, Sabine Binder analyses the complex ways in which female crime fictional victims, detectives and perpetrators in South African crime fiction resonate with widespread and persistent real crimes against women in post-apartheid South Africa. Drawing on a wide range of crime novels written over the last decade, Binder emphasises the genre's feminist potential and critically maps its political work at the intersection of gender and race. Her study challenges the perception of crime fiction as a trivial genre and shows how, in South Africa at least, it provides a vibrant platform for social, cultural and ethical debates, exposing violence, misogyny and racism and shedding light on the problematics of law and justice for women faced with crime.
List(s) this item appears in: E-Books from Directory of Open Access Books
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Includes bibliographical references and index.

The female victim -- The female perpetrator -- The female detective.

Print version record and CIP data provided by publisher; resource not viewed.

In this ground-breaking study, Sabine Binder analyses the complex ways in which female crime fictional victims, detectives and perpetrators in South African crime fiction resonate with widespread and persistent real crimes against women in post-apartheid South Africa. Drawing on a wide range of crime novels written over the last decade, Binder emphasises the genre's feminist potential and critically maps its political work at the intersection of gender and race. Her study challenges the perception of crime fiction as a trivial genre and shows how, in South Africa at least, it provides a vibrant platform for social, cultural and ethical debates, exposing violence, misogyny and racism and shedding light on the problematics of law and justice for women faced with crime.

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