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Writing Emotions : Theoretical Concepts and Selected Case Studies in Literature / ed. by Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner.

Contributor(s): Material type: TextTextLanguage: English Series: LettrePublisher: Bielefeld : transcript Verlag, [2018]Copyright date: ©2017Description: 1 online resource (384 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839437933
Subject(s): Additional physical formats: No titleDDC classification:
  • 809.93353 22/ger
LOC classification:
  • PN56.E6
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Writing Emotions/Reading Emotions -- Emotions and the Process of Writing -- The Affective Value of Fiction Presenting and Evoking Emotions -- The Author - "Specialize[d] in Having Fun"? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič -- Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James -- Emotions Mediated -- Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions -- Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner's Novel The Flamethrowers -- "[...] which approximates 'I love you'." Jonathan Safran Foer's Punctuation of Emotions -- Form and Emotion in Stephen Chbosky's The Perks of Being a Wallflower -- The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond -- Emotions on Stage and in Literary Texts -- "'Tis Magic, Magic that Hath Ravished Me" Passionate Conjuring in Doctor Faustus and The Devil's Charter -- Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama -- When the Author Is Not the Author of Passions J.J. Engel's Herr Lorenz Stark and the Pathognomy of Style -- How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe's "The Fall of the House of Usher" -- Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq's La possibilité d'une île .. -- Writing Wounds -- Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola's Nana -- Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame -- Hiding One's Feelings 'Emotionless' Rhetoric in Raul Hilberg's The Destruction of the European Jews and Peter Weiss's Die Ermittlung -- Love under Threat The Emotional Valences of the Twilight Saga -- AUTHORS
Summary: After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer.
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Frontmatter -- Contents -- Preface -- Writing Emotions/Reading Emotions -- Emotions and the Process of Writing -- The Affective Value of Fiction Presenting and Evoking Emotions -- The Author - "Specialize[d] in Having Fun"? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič -- Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James -- Emotions Mediated -- Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions -- Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner's Novel The Flamethrowers -- "[...] which approximates 'I love you'." Jonathan Safran Foer's Punctuation of Emotions -- Form and Emotion in Stephen Chbosky's The Perks of Being a Wallflower -- The Intermediality of Emotion Representations of Emotionality and Fear in YouTube Vlogs and Beyond -- Emotions on Stage and in Literary Texts -- "'Tis Magic, Magic that Hath Ravished Me" Passionate Conjuring in Doctor Faustus and The Devil's Charter -- Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama -- When the Author Is Not the Author of Passions J.J. Engel's Herr Lorenz Stark and the Pathognomy of Style -- How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe's "The Fall of the House of Usher" -- Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq's La possibilité d'une île .. -- Writing Wounds -- Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola's Nana -- Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame -- Hiding One's Feelings 'Emotionless' Rhetoric in Raul Hilberg's The Destruction of the European Jews and Peter Weiss's Die Ermittlung -- Love under Threat The Emotional Valences of the Twilight Saga -- AUTHORS

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After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer.

funded by Knowledge Unlatched - KU Select 2017: Frontlist Collection

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:

https://creativecommons.org/licenses/by-nc-nd/4.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

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