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Hip sublime : Beat writers and the classical tradition / edited by Sheila Murnaghan and Ralph M. Rosen.

Contributor(s): Material type: TextTextSeries: Classical memories/modern identitiesPublisher: Columbus : The Ohio State University Press, [2018]Copyright date: ©2018Description: 1 online resource (237 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814276136
  • 081427613X
  • 9780814276129
  • 0814276121
  • 9780814213551
  • 0814213553
Subject(s): Genre/Form: Additional physical formats: Print version:: Hip sublime.LOC classification:
  • PS228.B6 H57 2018
Online resources:
Contents:
Beats visiting hell: katabasis in Beat literature / Stephen Dickey -- "Thalatta, Thalatta!": Xenophon, Joyce, and Kerouac / Christopher Gair -- "The final fix" and "The transcendent kingdom": the quest in the early work of William S. Burroughs / Loni Reynolds -- The invention of sincerity: Allen Ginsberg and the philology of the margins / Matthew Pfaff -- Radical brothers-in-arms: Gaius and Hank at the racetrack / Marguerite Johnson -- Riffing on Catullus: Robert Creeley's poetics of adultery / Nick Selby -- Sappho comes to the Lower East Side: Ed Sanders, the sixties avant-garde, and fictions of Sappho / Jennie Skerl -- Robert Duncan and Pindar's dance / Victoria Moul -- Kenneth Rexroth: Greek anthologist / Gideon Nisbet -- Philip Whalen and the classics: "A walking grove of trees" / Jane Falk -- Troubling classical and Buddhist traditions in Diane di Prima's Loba / Nancy M. Grace and Tony Trigilio -- Towards a post-Beat poetics: Charles Olson's localism and the second sophistic / Richard Fletcher -- Afterword: "Standing at a juncture of planes" / Nancy M. Grace and Jennie Skerl.
Summary: "With essays that cover canonical Beat authors such as Allen Ginsberg, Jack Kerouac, and William Burroughs as well as less well-known figures like Kenneth Rexroth, Ed Sanders, and Diane di Prima, this volume focuses on the Beat movement's appropriation of the Greek and Latin classics as a formative element of their literary movement"-- Provided by publisher
List(s) this item appears in: JSTOR Open Access E-Books
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Print version record.

Includes bibliographical references and index.

"With essays that cover canonical Beat authors such as Allen Ginsberg, Jack Kerouac, and William Burroughs as well as less well-known figures like Kenneth Rexroth, Ed Sanders, and Diane di Prima, this volume focuses on the Beat movement's appropriation of the Greek and Latin classics as a formative element of their literary movement"-- Provided by publisher

Beats visiting hell: katabasis in Beat literature / Stephen Dickey -- "Thalatta, Thalatta!": Xenophon, Joyce, and Kerouac / Christopher Gair -- "The final fix" and "The transcendent kingdom": the quest in the early work of William S. Burroughs / Loni Reynolds -- The invention of sincerity: Allen Ginsberg and the philology of the margins / Matthew Pfaff -- Radical brothers-in-arms: Gaius and Hank at the racetrack / Marguerite Johnson -- Riffing on Catullus: Robert Creeley's poetics of adultery / Nick Selby -- Sappho comes to the Lower East Side: Ed Sanders, the sixties avant-garde, and fictions of Sappho / Jennie Skerl -- Robert Duncan and Pindar's dance / Victoria Moul -- Kenneth Rexroth: Greek anthologist / Gideon Nisbet -- Philip Whalen and the classics: "A walking grove of trees" / Jane Falk -- Troubling classical and Buddhist traditions in Diane di Prima's Loba / Nancy M. Grace and Tony Trigilio -- Towards a post-Beat poetics: Charles Olson's localism and the second sophistic / Richard Fletcher -- Afterword: "Standing at a juncture of planes" / Nancy M. Grace and Jennie Skerl.

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