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Performing the Digital : Performativity and Performance Studies in Digital Cultures / ed. by Timon Beyes, Imanuel Schipper, Martina Leeker.

Contributor(s): Material type: TextTextLanguage: English Series: Digitale Gesellschaft ; 11Publisher: Bielefeld : transcript Verlag, [2017]Copyright date: ©2016Description: 1 online resource (304 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839433553
Subject(s): Additional physical formats: No titleOther classification:
  • AP 14350
Online resources:
Contents:
Frontmatter -- Contents -- Introducing -- Performativity, performance studies and digital cultures -- Historicizing -- Performing (the) digital -- Annotating -- Making digital choreographic objects interrelate -- Affecting -- Speculation about 1:0 -- Trading -- The noisy motions of instruments -- Encrypting -- Performing encryption -- Protesting -- Mobile phone signals and protest crowds -- Mapping -- Mapping invisibility -- Tagging -- The big urban game, re-play and full city tags -- Co-producing -- From flâneur to co-producer -- Instituting -- Performing institutions -- Organizing -- 'The machine could swallow everything' -- Crashing -- Performing the economy, digital media and crisis -- Democratizing -- Performance and democratizing digitality -- Notes on contributors
Summary: How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.
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Frontmatter -- Contents -- Introducing -- Performativity, performance studies and digital cultures -- Historicizing -- Performing (the) digital -- Annotating -- Making digital choreographic objects interrelate -- Affecting -- Speculation about 1:0 -- Trading -- The noisy motions of instruments -- Encrypting -- Performing encryption -- Protesting -- Mobile phone signals and protest crowds -- Mapping -- Mapping invisibility -- Tagging -- The big urban game, re-play and full city tags -- Co-producing -- From flâneur to co-producer -- Instituting -- Performing institutions -- Organizing -- 'The machine could swallow everything' -- Crashing -- Performing the economy, digital media and crisis -- Democratizing -- Performance and democratizing digitality -- Notes on contributors

Open Access unrestricted online access star

https://purl.org/coar/access_right/c_abf2

How is performativity shaped by digital technologies - and how do performative practices reflect and alter techno-social formations? "Performing the Digital" explores, maps and theorizes the conditions and effects of performativity in digital cultures. Bringing together scholars from performance studies, media theory, sociology and organization studies as well as practitioners of performance, the contributions engage with the implications of digital media and its networked infrastructures for modulations of affect and the body, for performing cities, protest, organization and markets, and for the performativity of critique.With contributions by Marie-Luise Angerer, Timon Beyes, Scott deLahunta and Florian Jenett, Margarete Jahrmann, Susan Kozel, Ann-Christina Lange, Oliver Leistert, Martina Leeker, Jon McKenzie, Sigrid Merx, Melanie Mohren and Bernhard Herbordt, Imanuel Schipper and Jens Schröter.

funded by Knowledge Unlatched - KU Select 2016: Frontlist Collection

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 3.0 license:

https://creativecommons.org/licenses/by-nc-nd/3.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

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