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Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives / ed. by Sina A. Nitzsche, Mario Dunkel.

Contributor(s): Material type: TextTextLanguage: English Series: Studien zur PopularmusikPublisher: Bielefeld : transcript Verlag, [2019]Copyright date: ©2018Description: 1 online resource (328 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839443583
Subject(s): Additional physical formats: No titleDDC classification:
  • 306.4842 23
LOC classification:
  • ML3918.P67 P662 2018
  • ML3470
Other classification:
  • LS 48015
Online resources:
Contents:
Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country -- Dervish on the Eurovision Stage -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy -- "Liberated from Serfdom" -- A Musical Inquisition? -- Part III: Education and Promotion -- Dancing in Chains -- Becoming a Blue-Collar Musical Diplomat -- Music Trade in the Slipstream of Cultural Diplomacy -- National Flamencoism -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy -- Popular Musicking and the Politics of Spectatorship at the United Nations -- From Sons of Gastarbeita to Songs of Gastarbeiter -- Public Diplomacy and Decision-Making in the Eurovision Song Contest -- List of Contributors -- Index
Summary: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
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Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country -- Dervish on the Eurovision Stage -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy -- "Liberated from Serfdom" -- A Musical Inquisition? -- Part III: Education and Promotion -- Dancing in Chains -- Becoming a Blue-Collar Musical Diplomat -- Music Trade in the Slipstream of Cultural Diplomacy -- National Flamencoism -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy -- Popular Musicking and the Politics of Spectatorship at the United Nations -- From Sons of Gastarbeita to Songs of Gastarbeiter -- Public Diplomacy and Decision-Making in the Eurovision Song Contest -- List of Contributors -- Index

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In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

funded by Knowledge Unlatched - KU Select 2018: Frontlist Collection

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:

https://creativecommons.org/licenses/by-nc-nd/4.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

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