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Music Practices Across Borders : (E)Valuating Space, Diversity and Exchange / ed. by Konstantin Hondros, Glaucia Peres da Silva.

Contributor(s): Material type: TextTextLanguage: English Series: Musik und Klangkultur ; 35Publisher: Bielefeld : transcript Verlag, [2019]Copyright date: ©2019Description: 1 online resource (214 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839446676
Subject(s): Additional physical formats: No titleLOC classification:
  • ML3916
Online resources:
Contents:
Frontmatter -- Content -- Introduction-Music practices across borders -- Valuation in a reversed economy -- Culture, creativity and practice -- "Come and expose yourself to the fantastic music from around the world" -- From desire for recognition to desire for independence -- The invention of African art music -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century -- Brazilian grooves and cultured clichés -- About the authors
Summary: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind.
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E-Book E-Book De Gruyter Available

Frontmatter -- Content -- Introduction-Music practices across borders -- Valuation in a reversed economy -- Culture, creativity and practice -- "Come and expose yourself to the fantastic music from around the world" -- From desire for recognition to desire for independence -- The invention of African art music -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century -- Brazilian grooves and cultured clichés -- About the authors

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Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind.

funded by OGeSoMo

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY 4.0 license:

https://creativecommons.org/licenses/by/4.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)

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