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The creative underclass : youth, race, and the gentrifying city / Tyler Denmead.

By: Material type: TextTextPublisher: Durham ; London : Duke University Press, 2019Copyright date: ©2019Description: 1 online resource (xi, 204 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1478007311
  • 9781478007319
Subject(s): Genre/Form: Additional physical formats: Print version:: Creative underclass.LOC classification:
  • NX180.Y68 D466 2019
Online resources:
Contents:
Troublemaking -- The hot mess -- Chillaxing -- Why the creative underclass doesn't get creative-class jobs -- Autoethnography of a "gentrifying force" -- "Is this really what white people do" in the creative capital?
Action note:
  • digitized 2020. HathiTrust Digital Library committed to preserve
Summary: "As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence's urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence's leaders viewed arts, culture, and creativity as means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kickstart the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass which, along with redistributive economic policies can be deployed as an effective means with which to both to oppose gentrification and better serve the youth who have become emblematic of urban creativity."--Provided by publisher.
List(s) this item appears in: JSTOR Open Access E-Books
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Includes bibliographical references and index.

Troublemaking -- The hot mess -- Chillaxing -- Why the creative underclass doesn't get creative-class jobs -- Autoethnography of a "gentrifying force" -- "Is this really what white people do" in the creative capital?

"As an undergraduate at Brown University, Tyler Denmead founded New Urban Arts, a nationally recognized arts and humanities program primarily for young people of color in Providence, Rhode Island. Along with its positive impact, New Urban Arts, under his leadership, became entangled in Providence's urban renewal efforts that harmed the very youth it served. As in many deindustrialized cities, Providence's leaders viewed arts, culture, and creativity as means to drive property development and attract young, educated, and affluent white people, such as Denmead, to economically and culturally kickstart the city. In The Creative Underclass, Denmead critically examines how New Urban Arts and similar organizations can become enmeshed in circumstances where young people, including himself, become visible once the city can leverage their creativity to benefit economic revitalization and gentrification. He points to the creative cultural practices that young people of color from low-income communities use to resist their subjectification as members of an underclass which, along with redistributive economic policies can be deployed as an effective means with which to both to oppose gentrification and better serve the youth who have become emblematic of urban creativity."--Provided by publisher.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2020. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2020. HathiTrust Digital Library committed to preserve pda MiAaHDL

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