| 000 | 01444nam a2200241Ia 4500 | ||
|---|---|---|---|
| 000 | 01925naaa 00301uu | ||
| 001 | https://directory.doabooks.org/handle/20.500.12854/26010 | ||
| 008 | 211013s9999 xx 000 0 und d | ||
| 020 | _a9789089648556 | ||
| 024 | _a10.5117/9789089648556 | ||
| 042 | _adc | ||
| 245 | 0 | _aEarly Film Theories in Italy, 1896-1922 | |
| 260 |
_bAmsterdam University Press _c2017 |
||
| 520 | _aThis collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 's candalous' new technology that appeared poised to thoroughly change everyday life. | ||
| 540 | _aCreative Commons | ||
| 653 | _acinema and war | ||
| 700 | 1 | _aCasetti, Francesco | |
| 856 | _uhttps://library.oapen.org/bitstream/20.500.12657/31267/1/633213.pdf | ||
| 856 | _uhttps://library.oapen.org/bitstream/20.500.12657/31267/1/633213.pdf | ||
| 856 | _uwww.oapen.org | ||
| 942 | _cE-BOOK | ||
| 999 |
_c46698 _d46698 |
||