000			07280cam a2200781 i 4500
003			PHURS
005			20221125083352.0
008			170810s2017 ne ob 001 0 eng d
040			_aOAPEN _beng _epn _cOAPEN _dN$T _dYDX _dJSTOR _dOCLCA _dIYU _dOCLCF _dAU@ _dWYU _dICN _dOCLCQ _dOCLCO _dG3B _dIGB _dSTF _dERL _dAUW _dBTN _dINTCL _dMHW _dSNK _dOCL _dLVT _dCOO _dC6I _dVT2 _dP@U _dOTZ _dOCLCQ _dESU _dOCLCQ _dDIPCC _dUKKNU _dUX1 _dN$T _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO
020			_a9789048527106 _q(electronic bk.)
020			_a9048527104 _q(electronic bk.)
020			_z9789089648556
020			_z9089648550
050		4	_aPN1993.5.I88 _bE27 2017eb
245	0	0	_aEarly film theories in Italy, 1896-1922 / _cedited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei.
260			_aAmsterdam : _bAmsterdam University Press, _c©2017.
300			_a1 online resource (516 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aFilm theory in media history
504			_aIncludes bibliographical references (pages 490-504) and indexes.
520			_aThis collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.
505	0	0	_tThe Throb of the Cinematograph / _rFrancesco Casetti -- _tSection 1 -- _tCinema and Modern Life / _rFrancesco Casetti -- _tCinematography / _rEdipi -- _tThe Philosophy of Cinematograph / _rGiovanni Papini -- _tSummertime Spectacles: The Cinema / _rGaio -- _tWhy I Love the Cinema / _rMaffio Maffii -- _tThe Movie Theatre Audience / _rGiovanni Fosse -- _tThe Art of Celluloid / _rCrainquebille -- _tThe Triumph of the Cinema / _rRicciotto Canudo -- _tThe Death of the Word / _rFausto Maria Martini -- _tSection 2 -- _tFilm in Transition / _rFrancesco Casetti -- _tThe Museum of the Fleeting Moment / _rLucio d'Ambra -- _tThe Woman and the Cinema / _rHaydee -- _tDarkness and Intelligence / _rEmanuele Toddi -- _tA Spectatrix is Speaking to You / _rMatilde Serao -- _tMotion Pictures in Provincial Towns / _rEmilio Scaglione -- _tCinematic Psychology / _rEdoardo Coli -- _tThe Cinematograph Doesn't Exist / _rSilvio d'Amico -- _tThe Cinema: School of the Will and of Energy / _rGiovanni Bertinetti -- _tThe Close-up / _rAlberto Orsi -- _tThe Soul of Titles / _rErnesto Quadrone -- _tSection 3 -- _tCinema at War / _rLuca Mazzei -- _tThe War, from Up Close / _rNino Salvaneschi -- _tThat Poor Cinema / _rRenato Giovannetti -- _tFamilies of Soldiers / _rLuigi Lucatelli -- _tWar for the Profit of Industry / _rRenato Giovannetti -- _tThe War and Cinematograph / _rg.pr. -- _tMax Linder Dies in The War / _rLucio d'Ambra -- _tCinema of War / _rSaverio Procida -- _tSection 4 -- _tPolitics, Morality, Education / _rSilvio Alovisio -- _tThe Motion Pictures and Education / _rDomenico Orano -- _tThe Intuitive Method in Religious Education / _rRomano Costetti -- _tThe Cinema and Its Influence on the Education of the People / _rGiovanni Battista Avellone -- _tThe Cinematograph in the Schools / _rFrancesco Orestano -- _tSpeech at the People's Theatre / _rVittorio Emanuele Orlando -- _tCinema for the Cultivation of the Intellect / _rAngelina Buracci -- _tEducational Cinema / _rEttore Fabietti -- _tSection 5 -- _tFilm, Body, Mind / _rSilvio Alovisio -- _tCollective Psychology / _rPasquale Rossi -- _tAbout Some Psychological Observations Made During Film Screenings / _rMario Ponzo -- _tConcerning the Effects of Film Viewing on Neurotic Individuals / _rGiuseppe d'Abundo -- _tThe Ongoing Battle between Gesture and Word / _rMariano Luigi Patrizi -- _tThe Cinematograph in the Field of Mental Illness and Criminality: Notes / _rGiuseppe Vidoni -- _tCinema and Juvenile Delinquency / _rMario Ponzo -- _tSection 6 -- _tThe Aesthetic Side / _rLuca Mazzei -- _tProblems of Art: Expression and Movement in Sculpture / _rCorrado Ricci -- _tScenic Impressionism / _rSebastiano Arturo Luciani -- _tThe Aesthetics of Cinema / _rGoffredo Bellonci -- _tThe Poetics of Cinema / _rSebastiano Arturo Luciani -- _tManifesto for a Cinematic Revolution / _rGoffredo Bellonci -- _tTheatre and the Cinema / _rAntonio Gramsci -- _tThe Futurist Cinematography / _rRemo Chiti -- _tIn the Beginning Was Sex / _rAntonio Gramsci -- _tRectangle-Film (25 x 19) / _rEmanuele Toddi -- _tThe Proscenium Arch of My Cinema / _rAnton Giulio Bragaglia -- _tMy Views on the Cinematograph / _rLucio d'Ambra -- _tMeditations in the Dark / _rMichele Biancale -- _tSection 7 -- _tTheory in a Narrative Form / _rLuca Mazzei -- _tColour Film / _rRoberto Tanfani -- _tAt the Cinema / _rLuigia Cortesi -- _tA Phantom Pursued / _rAlberto Lumbroso -- _tMiopetti's Duel / _rAldo Borelli -- _tPamela-Films / _rGuido Gozzano -- _tFeature Film / _rPio Vanzi -- _tMe, Riri, and Love in Slippers / _rLuciano Doria -- _tA Cinematic Performance / _rFederigo Tozzi -- _tLife, a Glass Theatre / _rPier Maria Rosso di San Secondo -- _tThe Shears' Reflection / _rGuido Gozzano.
546			_aUndetermined.
506	0		_5EbpS
590			_aJSTOR _bBooks at JSTOR Open Access
650		0	_aMotion pictures _zItaly _xHistory.
650		0	_aMotion pictures _zItaly _xPhilosophy.
650		0	_aMotion pictures _zItaly _xAesthetics.
650		0	_aMotion pictures _xSocial aspects _zItaly.
650		0	_aMotion pictures and the arts _zItaly.
651		0	_aItaly _xIntellectual life _y20th century.
650		6	_aCinéma _zItalie _xHistoire.
650		6	_aCinéma _zItalie _xPhilosophie.
650		6	_aCinéma _zItalie _xEsthétique.
650		6	_aCinéma _xAspect social _zItalie.
650		6	_aCinéma et arts _zItalie.
651		6	_aItalie _xVie intellectuelle _y20e siècle.
650		7	_aFilm theory and criticism.
650		7	_aFilm, TV and radio.
650		7	_aFilms, cinema.
650		7	_aThe arts.
650		7	_aPERFORMING ARTS _xReference.
650		7	_aPERFORMING ARTS _xFilm & Video _xGeneral.
650		7	_aIntellectual life.
650		7	_aMotion pictures.
650		7	_aMotion pictures _xAesthetics.
650		7	_aMotion pictures and the arts.
650		7	_aMotion pictures _xPhilosophy.
650		7	_aMotion pictures _xSocial aspects.
651		7	_aItaly.
653			_aCinema and philosophy
653			_aCinema and psychology
653			_aCinema and war
653			_aEarly film theories
653			_aSocial impact of cinema
655		4	_aElectronic books.
655		7	_aHistory.
700	1		_aCasetti, Francesco, _eeditor.
700	1		_aAlovisio, Silvio, _d1968- _eeditor.
700	1		_aMazzei, Luca, _eeditor.
776	0	8	_iPrint version: _tEarly Film Theories in Italy, 1896-1922. _dAmsterdam : Amsterdam University Press, 2017 _w(DLC) 2017436818
830		0	_aFilm theory in media history.
856	4	0	_uhttps://www.jstor.org/stable/10.2307/j.ctv157bwd
942			_2lcc _cE-BOOK
994			_a92 _bPHURS
999			_c57413 _d57413