000 | 01445nam a2200229Ii 4500 | ||
---|---|---|---|
008 | 221202s xx 000 0 und d | ||
100 | 1 |
_aCasetti, Francesco, _eauthor |
|
245 | 0 | _aEarly Film Theories in Italy, 1896-1922 | |
264 |
_bAmsterdam University Press _c2017 |
||
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
520 | _aThis collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life. | ||
653 | _aCinema And Philosophy | ||
653 | _aCinema And Psychology | ||
653 | _aCinema And War | ||
653 | _aEarly Film Theories | ||
653 | _aSocial Impact Of Cinema | ||
856 | _uhttps://library.oapen.org/bitstream/20.500.12657/31267/1/633213.pdfhttp://library.oapen.org/handle/20.500.12657/31267 | ||
942 | _cE-BOOK | ||
999 |
_c62022 _d62022 |