Farewell to Shulamit: Spatial and Social Diversity in the Song of Songs

Carsten Wilke

Open Access Published by De Gruyter 2017

Farewell to Shulamit

Spatial and Social Diversity in the Song of Songs

Carsten Wilke

Volume 2 in the series Jewish Thought, Philosophy and Religion

https://doi.org/10.1515/9783110500882

Overview
Contents

About this book

Open Access

The Song of Songs, a lyric cycle of love scenes without a narrative plot, has often been considered as the Bible’s most beautiful and enigmatic book. The present study questions the still dominant exegetical convention that merges all of the Song’s voices into the dialogue of a single couple, its composite heroine Shulamit being a projection screen for norms of womanhood. An alternative socio-spatial reading, starting with the Hebrew text’s strophic patterns and its references to historical realia, explores the poem’s artful alternation between courtly, urban, rural, and pastoral scenes with their distinct characters. The literary construction of social difference juxtaposes class-specific patterns of consumption, mobility, emotion, power structures, and gender relations. This new image of the cycle as a detailed poetic frieze of ancient society eventually leads to a precise hypothesis concerning its literary and religious context in the Hellenistic age, as well as its geographical origins in the multiethnic borderland east of the Jordan. In a Jewish echo of anthropological skepticism, the poem emphasizes the plurality and relativity of the human condition while praising the communicative powers of pleasure, fantasy, and multifarious Eros.

Author / Editor information

Carsten L. Wilke, Central European University, Budapest, Hungary.

Reviews

"Wilke makes a sound and well-structured argument and certainly opens up the Song for further debate. He has appraised the often overlooked anomalies in time and space as well as gender. He has carried forward the work of Exum and Brenner, who encouraged searching for a presence of diversity within the text. Wilke achieves this admirably, and this work will surely form the basis for a renewed appraisal of the Song in a Hellenistic setting."
Susan Sorek in: Bryn Mawr Classical Review 2017.10.53

"Der hochinteressanten Studie gelingt es, kritische Theorie und hellenistische Parallelen mit dem Hohelied ins Gespräch zu bringen. [...] Die faszinierende und bedenkenswerte Studie ist ein gewichtiger Beitrag zu der Frage, wie sehr das jüdische Leben von hellenistischer Kultur beeinflusst gewesen sein konnte." Anselm C. Hagedorn in: Zeitschrift für die alttestamentliche Wissenschaft 2019, 131(3), 535

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	vii
1. Space and Gender in the Song of Songs Open Access Download PDF	1
2. A Sociospatial Approach to the Song of Song’s Structure Open Access Download PDF	16
3. The Poetics of Social Diversity Open Access Download PDF	39
4. Ptolemy IV Philopator and his Religious Policy Open Access Download PDF	58
5. Was the Song of Songs Composed in Amman? Open Access Download PDF	79
6. Conclusion Open Access Download PDF	104
Appendix Open Access Download PDF	107
Bibliography Open Access Download PDF	143
Index of Biblical References Open Access Download PDF	162
Index of Names Open Access Download PDF	165

(Deutsch)

Language: English
Publisher: De Gruyter
Audience: Scholars and lay audience in Biblical Studies, Near Eastern Studies, Jewish Studies, Classical Studies, Ancient History
Pages
- Front matter: 8
- Main content: 170
Keywords: Song of Songs; Hellenistic Judaism; Dionysus; Amman

eBook

Published: April 10, 2017
ISBN: 9783110500882

Hardcover

Published: April 10, 2017
ISBN: 9783110500547