Bentham and the Arts (Record no. 44881)
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| 000 -LEADER | |
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| fixed length control field | 03783nam a2200301Ia 4500 |
| 000 - LEADER | |
| fixed length control field | 04086naaa 00313uu |
| 001 - CONTROL NUMBER | |
| control field | https://directory.doabooks.org/handle/20.500.12854/35969 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20211222134118.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 211013s9999 xx 000 0 und d |
| 024 ## - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.14324/111.9781787357365 |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 245 #0 - TITLE STATEMENT | |
| Title | Bentham and the Arts |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | London |
| Name of publisher, distributor, etc. | UCL Press |
| Date of publication, distribution, etc. | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 electronic resource (324 p.) |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Bentham and the Arts considers the sceptical challenge presented by Bentham's 2019;s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, 's 2018;Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.'s 2019; This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham's 2019;s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally. Each contributor takes into account, from the perspective of their own discipline and expertise, the implications for their research area of the views contained in Bentham's 2019;s Of Sexual Irregularities, and other writings on Sexual Morality (published in the authoritative edition of The Collected Works of Jeremy Bentham in 2014) and 's 2018;Not Paul, but Jesus: Volume III's 2019; (published online by the Bentham Project in 2014). In these essays, Bentham puts forward the first philosophical defence of sexual liberty. In doing so, he questions the meaning of 's 2018;taste's 2019; and hence the received understanding of aesthetics more generally. The contributors, moreover, challenge two of the major commonplaces in literary and historical studies of the nineteenth century: first that literature and utilitarianism represented alternative and incompatible views of the world; and second that Bentham's 2019;s utilitarianism was somehow emaciated in comparison with that of John Stuart Mill. The volume also includes new reflections on the auto-icon and the panopticon, the latter showing the utilitarian genealogy of a collaborative art and architecture project on the site of the Millbank Penitentiary. The title 's 2018;Bentham and the Arts's 2019; itself challenges the commonly held notion that Bentham had nothing relevant to say on the subject of the Arts 's 2013; the essays in this volume show that Bentham remains extraordinarily relevant, both in historical and philosophical terms. 'Bentham and the Arts is a feast. Ranging from poetry and sexual nonconformity to the auto-icon and public sculpture, from Hume, Kant, and de Stael to Freud and Michel Onfray, an excellent crew of contributors brings Jeremy Bentham out from the shadow cast by John Stuart Mill with much new to say on taste and politics. Highly recommended for students and scholars alike, this fine interdisciplinary volume is available to all through open-access publishing.' - Stephen Engelmann, University of Illinois at Chicago |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE | |
| Terms governing use and reproduction | Creative Commons |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Ethics and moral philosophy |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Julius, Anthony |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Julius, Anthony |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Quinn, Malcolm |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Quinn, Malcolm |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Schofield, Philip |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://directory.doabooks.org/handle/20.500.12854/35969">https://directory.doabooks.org/handle/20.500.12854/35969</a> |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://library.oapen.org/bitstream/20.500.12657/39431/1/9781787357365.pdf">https://library.oapen.org/bitstream/20.500.12657/39431/1/9781787357365.pdf</a> |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="www.oapen.org">www.oapen.org</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | E-Book |
| Withdrawn status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Date acquired | Total Checkouts | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Not For Loan | Directory of Open Access Books | Directory of Open Access Books | 12/22/2021 | 12/22/2021 | 12/22/2021 | E-Book |