Experimental Affinities in Music (Record no. 62439)

MARC details
000 -LEADER
fixed length control field 02216nam a2200241Ii 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221202s xx 000 0 und d
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name de Assis, Paulo,
Relator term author
245 #0 - TITLE STATEMENT
Title Experimental Affinities in Music
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Belgium, Leuven
Name of producer, publisher, distributor, manufacturer Leuven University Press
Date of production, publication, distribution, manufacture, or copyright notice 2015
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (252 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 ## - SERIES STATEMENT
Series statement Orpheus Institute Series
520 ## - SUMMARY, ETC.
Summary, etc. Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’)
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Artistic Experimentation
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Experimentation
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Uncontrolled term Expression
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Music Theory
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Recitation
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdfhttp://upers.kuleuven.be/en/book/9789462700611http://library.oapen.org/handle/20.500.12657/32935">https://library.oapen.org/bitstream/20.500.12657/32935/1/587990.pdfhttp://upers.kuleuven.be/en/book/9789462700611http://library.oapen.org/handle/20.500.12657/32935</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

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