Lessons in Perception (Record no. 63716)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01775nam a2200241Ii 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 221202s xx 000 0 und d |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Taberham, Paul, |
| Relator term | author |
| 245 #0 - TITLE STATEMENT | |
| Title | Lessons in Perception |
| 246 ## - VARYING FORM OF TITLE | |
| Title proper/short title | The Avant-Garde Filmmaker as Practical Psychologist |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Berghahn Books |
| Date of production, publication, distribution, manufacture, or copyright notice | 2018 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Lessons in Perception seeks to clarify notoriously elusive themes of the avant-garde with the use of existing research from the field of psychology. There is a long-standing history of reference to psychological concepts in relation to avant-garde film, such as its unique relationship to memory, visual perception, narrative comprehension, and synesthesia. Yet direct analysis of these topics in light of existing psychological research remains largely unexplored until now. More broadly, the aim of the book is to frame avant-garde filmmaking practice as a form of practical psychology. In doing so, two principal arguments are proposed: first, that many avant-garde filmmakers draw creative inspiration from their own cognitive and perceptual capacities, and touch on topics explored by actual psychologists; secondly, that as practical psychologists, avant-garde filmmakers provide “lessons in perception” that offer psychological experiences that are largely unrehearsed in commercial cinema. |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Arts |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Avant-Garde Cinema |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Cognitive Humanities |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Limousin Dialect |
| 653 ## - INDEX TERM--UNCONTROLLED | |
| Uncontrolled term | Psychology |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://library.oapen.org/bitstream/20.500.12657/29688/1/1000257.pdfhttp://library.oapen.org/handle/20.500.12657/29688">https://library.oapen.org/bitstream/20.500.12657/29688/1/1000257.pdfhttp://library.oapen.org/handle/20.500.12657/29688</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | E-Book |
| Withdrawn status | Damaged status | Not for loan | Home library | Current library | Date acquired | Total Checkouts | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|
| Directory of Open Access Books | Directory of Open Access Books | 11/28/2022 | 11/28/2022 | 11/28/2022 | E-Book |