Revolutionary Bodies (Record no. 65260)

MARC details
000 -LEADER
fixed length control field 02346nam a2200241Ii 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221202s xx 000 0 und d
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Wilcox, Emily,
Relator term author
245 #0 - TITLE STATEMENT
Title Revolutionary Bodies
246 ## - VARYING FORM OF TITLE
Title proper/short title Chinese Dance and the Socialist Legacy
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Oakland
Name of producer, publisher, distributor, manufacturer University of California Press
Date of production, publication, distribution, manufacture, or copyright notice 2019
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (324 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. This book examines the history of concert dance in China from 1935 to 2015, with a focus on Chinese dance and its relationship to revolutionary performance culture in PRC history. The book argues that Chinese dance, not revolutionary ballet, was the primary legacy of Maoist dance research and innovation. Showing the relationship between dance and politics, it discusses dance developments during the War of Resistance Against Japan, the Chinese Civil War, the Korean War, the Great Leap Forward, the Cultural Revolution, the post-Mao era, and the period of One Belt One Road. The book emphasizes transnational exchange and highlights the contributions of immigrant and ethnic minority women, such as Chinese Trinidadian dancer Dai Ailian, Korean dancer Choe Seung-hui, Uyghur dancer Qemberxanim, Bai dancer Yang Liping, and Uyghur dancer Gulmira Mamat. It discusses the history of dance schools and companies such as the Beijing Dance Academy, the China National Opera and Dance Drama Theater, the Central Nationalities Song and Dance Ensemble, and the Xinjiang Arts Institute. Dance film is an important subject of analysis. Aesthetic experimentation is another key theme. Dance styles examined include Chinese classical dance, Chinese national folk dance (including ethnic minority dance and Han folk dance), Chinese military dance, New Dance, New Yangge, national dance drama, Dunhuang dance, peacock dance, and ballet. The book argues that kinesthetic nationalism, ethnic and spatial inclusivity, and dynamic inheritance are lasting features of Chinese dance.
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term China
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Dance
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Performance
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Prc History
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Socialism
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/27543/1/revolutionary-bodies.pdfhttp://library.oapen.org/handle/20.500.12657/27543">https://library.oapen.org/bitstream/20.500.12657/27543/1/revolutionary-bodies.pdfhttp://library.oapen.org/handle/20.500.12657/27543</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

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