Truth and Fiction : (Record no. 67243)

MARC details
000 -LEADER
fixed length control field 02191nam a2200253Ii 4500
003 - CONTROL NUMBER IDENTIFIER
control field URS
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20230602100234.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221202s xx 000 0 und d
040 ## - CATALOGING SOURCE
Transcribing agency URS
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Manchevski, Milcho,
Relator term author
245 #0 - TITLE STATEMENT
Title Truth and Fiction :
Remainder of title Notes on (Exceptional) Faith in Art
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Brooklyn, NY
Name of producer, publisher, distributor, manufacturer punctum books
Date of production, publication, distribution, manufacture, or copyright notice 2012
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (40 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. Reflecting upon his experience making his 2010 feature film Mothers, a cinematic triptych interweaving three narratives that are each, in their own way, about the often tenuous lines between truth and fiction, and one of which actually morphs into a documentary about the aftermath in a small Macedonian town where three retired cleaning women were found raped and killed in 2008 and the murderer turned out to be the journalist covering the story for a major Macedonian newspaper, the Oscar-nominated Macedonian-born and New York-based writer-director Milcho Manchevski writes that, “Most of us look at films differently or accept stories in a different way if we believe that they are true. We watch a documentary film in a different way from the way we watch a drama. We read a magazine article in a different way from the way in which we read a short story. Sometimes, we even treat a film that employs actors differently than a regular drama because we were told that it is based on something that really happened. We treat these works based on truth or reporting on the truth in different ways. “Why? “What is it in our relation to reality or in our relation to what we perceive to be reality that makes us value a work of artifice (an art piece) differently depending on our knowledge or conviction of whether that work of artifice is based on events that really took place?”
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Aesthetics
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Film Studies
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Macedonia
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Martin, Adrian
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/20.500.12657/25608/1/1004487.pdfhttp://library.oapen.org/handle/20.500.12657/25608">https://library.oapen.org/bitstream/20.500.12657/25608/1/1004487.pdfhttp://library.oapen.org/handle/20.500.12657/25608</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Damaged status Not for loan Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
      Directory of Open Access Books Directory of Open Access Books 11/28/2022   11/28/2022 11/28/2022 E-Book

University of Rizal System
Email us at univlibservices@urs.edu.ph

Visit our Website www.urs.edu.ph/library