Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick (Record no. 89988)

MARC details
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fixed length control field 01935naaa 00301uu
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/29919
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245 #0 - TITLE STATEMENT
Title Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Boston, MA
Name of publisher, distributor, etc. Academic Studies Press
Date of publication, distribution, etc. 2019
520 ## - SUMMARY, ETC.
Summary, etc. How do the visuals of Kubrick's 2019;s work convey complex concepts and abstractions without the traditional reliance on words? And how does the pure instrumental music in his films express meaning when music, in essence, is an abstract art form? Drawing on state-of-the-art research in embodied cognitive science, this book sets out to explore these questions by revealing Kubrick as a genuine conceptual artist, a filmmaker who perhaps more than any other director, uses all the non-verbal resources of filmmaking in such a controlled and dense manner as to elicit the bodily structures necessary to achieve a level of conceptual understanding.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Media & Communications
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Coegnarts, Maarten
856 ## - ELECTRONIC LOCATION AND ACCESS
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Koha item type E-Book

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