Nonhuman voices in Anglo-Saxon literature and material culture (Record no. 90404)

MARC details
000 -LEADER
fixed length control field 02378nam a2200217Ia 4500
000 - LEADER
fixed length control field 03324naaa 00457uu
001 - CONTROL NUMBER
control field https://directory.doabooks.org/handle/20.500.12854/39720
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211013s9999 xx 000 0 und d
024 ## - OTHER STANDARD IDENTIFIER
Standard number or code 10.26530/OAPEN_631090
042 ## - AUTHENTICATION CODE
Authentication code dc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Paz, James
245 #0 - TITLE STATEMENT
Title Nonhuman voices in Anglo-Saxon literature and material culture
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Manchester University Press
Date of publication, distribution, etc. 2017
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (248 p.)
520 ## - SUMMARY, ETC.
Summary, etc. Anglo-Saxon 's 2018;things's 2019; could talk. Nonhuman voices leap out from the Exeter Book Riddles, telling us how they were made or how they behave. The Franks Casket is a box of bone that alludes to its former fate as a whale that swam aground onto the shingle, and the Ruthwell monument is a stone column that speaks as if it were living wood, or a wounded body. In this book, James Paz uncovers the voice and agency that these nonhuman things have across Anglo-Saxon literature and material culture. He makes a new contribution to 's 2018;thing theory's 2019; and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a's A0;�ing's A0;is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine.'s A0; Nonhuman voices in Anglo-Saxon literature and material culture's A0;invites us to rethink the concept of voice as a quality that is not simply imposed upon nonhumans but which inheres in their ways of existing and being in the world. It asks us to rethink the concept of agency as arising from within groupings of diverse elements, rather than always emerging from human actors alone.
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term beowulf
856 ## - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://docs.google.com/spreadsheets/d/1yKIrdCPDAG_9c22mwoOIO2DOhtj65Wqa/edit?usp=sharing&ouid=106555315294820607512&rtpof=true&sd=true ">https://docs.google.com/spreadsheets/d/1yKIrdCPDAG_9c22mwoOIO2DOhtj65Wqa/edit?usp=sharing&ouid=106555315294820607512&rtpof=true&sd=true </a>
Link text List of Curated E-Books
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book

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