Between Positivism and T.S. Eliot (Record no. 91973)

MARC details
000 -LEADER
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Olsen, Flemming,
Relator term author
245 #0 - TITLE STATEMENT
Title Between Positivism and T.S. Eliot
246 ## - VARYING FORM OF TITLE
Title proper/short title Imagism and T.E. Hulme
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Odense
Name of producer, publisher, distributor, manufacturer University Press of Southern Denmark
Date of production, publication, distribution, manufacture, or copyright notice 2008
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (193 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 ## - SERIES STATEMENT
Series statement Studies in Literature
Volume/sequential designation 52
520 ## - SUMMARY, ETC.
Summary, etc. Several critics have been intrigued by the gap between late Victorian poetry and the more "modern" poetry of the 1920s. It is my contention that a close analysis of the poetry and criticism written in the first decade of the 20th century and until the end of the First World War : excluding war poetry : will be rewarding if we want to acquire a greater understanding of the transition. The book is not meant as a total overview of the intellectual climate in England from Tennyson to Eliot. Rather, it describes the development that took place within art and literature : especially poetry : as a reaction against the positivist attitude. Early in the 19th century, science came to be taken as the opposite of poetry because the Romanticists conceived of the lyrical poem as the outlet of the poet's feelings. That attitude was dominant during the rest of the 19th century. To many readers and critics, T.E.Hulme represents little more thasn a footnote. He is vaguely known as one of the precursors of the far more interesting T.S.Eliot, for which reason some lip-service may be paid to him, but his own achievement is hardly ever referred to. Hulme and the Imagists represent an intermediary stage between Tennyson and Eliot, but they are more than mere stepping-stones. Besides being experimenting poets, most of them are acute critics of art and literature, prescriptively as well as descriptively. Hulme's theories are sketchy, his presentation not infrequently confusing, and his poetry mostly fragments. The following pages attempt to analyse his oeuvre, a material hardly anybody has taken the trouble to consider in its entirety, He understood that some form of theory is a useful accompaniment of poetic practice, and, like his Imagist friends, he made the poetic image the focus of his attention. The Imagists were opposed not only to the monopoly of science, scientia scientium, which claimed to be able to decide what truth and reality "really" were, but also to the "Tennysonianisms", which, they felt, had made poetry predictable and insipid. This book attempts to get to grips with the watershed. I owe Professor Lars Ole Sauerberg my heartfelt gratitude for his advice, encouragement and patience during the process of writing this book.
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Uncontrolled term Free Verse
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Uncontrolled term Henri Bergson
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Uncontrolled term Hulme
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Uncontrolled term Imagism
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Uncontrolled term Positivism
856 ## - ELECTRONIC LOCATION AND ACCESS
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Link text List of Curated E-Books
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type E-Book

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