Frontmatter -- Table of Contents -- Preface -- Introduction -- Cinema against Spectacle -- Introduction -- Cinema against Spectacle -- I. Opening the Window? -- II. Inventing the Cinema? -- III. Filming the Disaster? -- IV. Cutting the Figure? -- V. Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I. On a Dual Origin -- II. Depth of Field: The Double Scene -- III. "Primitive" Depth of Field -- IV. Effacement of Depth/Advent of Speech -- V. Which Speech? -- Appendix I: Cinema/Ideology/Criticism -- Appendix II: Machines of the Visible -- Glossary of Terms -- Publication History -- Filmography -- Bibliography -- Translator's Notes -- Index -- Film Theory in Media History

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Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker.

Mode of access: Internet via World Wide Web.

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In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)