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Farocki/Godard : Film as Theory / Volker Pantenburg.

By: Contributor(s): Material type: TextLanguage: English Series: Film Culture in TransitionPublisher: Amsterdam : Amsterdam University Press, [2015]Copyright date: ©2015Description: 1 online resource (348 p.) : 99 halftonesContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789048527557
Subject(s): DDC classification:
  • 791
LOC classification:
  • PN1998.3.F365 P3613 2015
Online resources:
Contents:
Frontmatter -- Contents -- Preface To The English Edition -- Introduction -- 1. Le Film Qui Pense -- 2. The Camera As Brush-Film And Painting -- 3. Deviation As Norm-Notes On The Essay Film -- 4. Cut-Interlude In The Editing Room -- 5. Taking Pictures-Photography And Film -- 6. Two Or Three Ways Of Speaking With The Hands -- Conclusion -- Conclusion -- Acknowledgments -- Illustration Credits -- Index Of Film Titles -- Index Of Names
Summary: This book brings together two major filmmakers-German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
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E-Book De Gruyter Available

Frontmatter -- Contents -- Preface To The English Edition -- Introduction -- 1. Le Film Qui Pense -- 2. The Camera As Brush-Film And Painting -- 3. Deviation As Norm-Notes On The Essay Film -- 4. Cut-Interlude In The Editing Room -- 5. Taking Pictures-Photography And Film -- 6. Two Or Three Ways Of Speaking With The Hands -- Conclusion -- Conclusion -- Acknowledgments -- Illustration Credits -- Index Of Film Titles -- Index Of Names

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This book brings together two major filmmakers-German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:

https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)

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