TY  - BOOK
AU  - Comolli,Jean-Louis
AU  - Fairfax,Daniel
AU  - Fairfax,Daniel
AU  - Rosen,Philip
TI  - Cinema Against Spectacle: Technique and Ideology Revisited 
T2  - Film Theory in Media History
SN  - 9789048519453
PY  - 2022///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Motion pictures
KW  - Philosophy
KW  - History
KW  - Film Studies
KW  - Film, Media, and Communication
KW  - ART / Film & Video
KW  - bisacsh
KW  - Film Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma
N1  - Frontmatter --; Table of Contents --; Preface --; Introduction --; Cinema against Spectacle --; Introduction --; Cinema against Spectacle --; I. Opening the Window? --; II. Inventing the Cinema? --; III. Filming the Disaster? --; IV. Cutting the Figure? --; V. Changing the Spectator? --; Technique and Ideology: Camera, Perspective, Depth of Field --; Introduction --; I. On a Dual Origin --; II. Depth of Field: The Double Scene --; III. "Primitive" Depth of Field --; IV. Effacement of Depth/Advent of Speech --; V. Which Speech? --; Appendix I: Cinema/Ideology/Criticism --; Appendix II: Machines of the Visible --; Glossary of Terms --; Publication History --; Filmography --; Bibliography --; Translator's Notes --; Index --; Film Theory in Media History
N2  - Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker
UR  - https://doi.org/10.1515/9789048519453
UR  - https://www.degruyter.com/isbn/9789048519453
UR  - https://www.degruyter.com/document/cover/isbn/9789048519453/original
ER  -