TY  - BOOK
AU  - Pantenburg,Volker
AU  - Hellmann,Kristina
TI  - Farocki/Godard: Film as Theory 
T2  - Film Culture in Transition
SN  - 9789048527557
AV  - PN1998.3.F365 P3613 2015
U1  - 791 
PY  - 2015///]
CY  - Amsterdam : 
PB  - Amsterdam University Press, 
KW  - Motion pictures
KW  - Philosophy
KW  - Film, Media, and Communication
KW  - ART / Film & Video
KW  - bisacsh
KW  - Harun Farocki, Jean-Luc Godard, Film Theory, Essay Film
N1  - Frontmatter --; Contents --; Preface To The English Edition --; Introduction --; 1. Le Film Qui Pense --; 2. The Camera As Brush-Film And Painting --; 3. Deviation As Norm-Notes On The Essay Film --; 4. Cut-Interlude In The Editing Room --; 5. Taking Pictures-Photography And Film --; 6. Two Or Three Ways Of Speaking With The Hands --; Conclusion --; Conclusion --; Acknowledgments --; Illustration Credits --; Index Of Film Titles --; Index Of Names
N2  - This book brings together two major filmmakers-German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
UR  - https://doi.org/10.1515/9789048527557
UR  - https://www.degruyter.com/isbn/9789048527557
UR  - https://www.degruyter.com/document/cover/isbn/9789048527557/original
ER  -