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005			20260218105756.0
006			m o d
008			191012s2019 ne ob 001 0 eng d
040			_aEBLCP _beng _erda _epn _cEBLCP _dYDX _dEBLCP _dJSTOR _dOCLCQ _dOCLCF _dOCLCO _dN$T _dOCLCQ _dDEGRU _dYDXIT _dUKAHL _dOCL _dOCLCQ _dCAMBR _dP@U _dOCLCO _dOCLCQ _dK6U _dUKKNU _dOCLCO _c
020			_a9789048550463 _q(electronic book)
020			_a9048550467 _q(electronic book)
020			_a9463724621
020			_a9789463724623
041	1		_aeng _hfre
050		4	_aTR848 _b.T8713 2019
050		4	_aTR878
100	1		_aTurquety, Benoît, _eauthor. _0http://id.loc.gov/authorities/names/no2009194403
240	1	0	_aInventer le cinéma. _lEnglish
245	1	0	_aInventing cinema : _bmachines, gestures and media history / _cBenoît Turquety ; translated by Timothy Barnard.
264		1	_aAmsterdam : _bAmsterdam University Press, _c[2019]
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCinema and technology ; _v1
505	0		_aCover; Table of Contents; Acknowledgements; Introduction: The Problems of Digital Cinema; 1. The Why and How of Machines; 2. Invention, Innovation, History; 3. The Invention of the Problem; 4. The Invention of the Cinématographe; 5. 'Natural Colour Kinematography', a New Cinema Invention: Kinemacolor, Technical Network and Commercial Policies; 6. Epilogue; Bibliography; Index
520			_aWith machines mediating most of our cultural practices, and innovations, obsolescence and revivals constantly transforming our relation with images and sounds, media feel more unstable than ever. But was there ever a "stable" moment in media history? Inventing Cinema proposes to approach this question through an archaeology and an epistemology of media machines. The archaeology analyses them as archives of users' gestures, as well as of modes of perception. The epistemology reconstructs the problems that the machines' designers and users have strived to solve, and the network of concepts they have elaborated to understand these problems. Drawing on the philosophy of technology and anthropology, Inventing Cinema argues that networks of gestures, problems, perception and concepts are inscribed in vision machines, from the camera obscura to the stereoscope, the Cinématographe, and digital cinema. The invention of cinema is ultimately seen as an ongoing process irreducible to a single moment in history.
588	0		_aOnline resource; title from digital title page (viewed on December 13, 2019).
504			_aIncludes bibliographical references (pages 249-263) and index.
546			_aTranslated from French.
590			_aJSTOR _bBooks at JSTOR Open Access
650		0	_aCinematography _xHistory.
650		0	_aCinematography _xEquipment and supplies. _0http://id.loc.gov/authorities/subjects/sh87006145
650		0	_aMotion pictures _xTechnique.
650		0	_aMotion pictures _xHistory. _0http://id.loc.gov/authorities/subjects/sh87002438
650		6	_aCinéma _xHistoire.
650		6	_aCinéma _xAppareils et matériel.
650		7	_aPERFORMING ARTS _xFilm & Video _xHistory & Criticism. _2bisacsh
650		7	_aMotion pictures _xTechnique. _2fast _0(OCoLC)fst01027399
650		7	_aCinematography. _2fast _0(OCoLC)fst00861484
650		7	_aCinematography _xEquipment and supplies. _2fast _0(OCoLC)fst00861487
650		7	_aMotion pictures. _2fast _0(OCoLC)fst01027285
650		7	_aCinéma _xAppareils et matériel _xHistoire. _2ram
650		7	_aCinéma _xTechnique _xHistoire. _2ram
650		7	_aCinéma numérique. _2ram
776	0	8	_iPrint version: _aTurquety, Benoît. _tInventing Cinema : Machines, Gestures and Media History. _dAmsterdam : Amsterdam University Press, ©2019
830		0	_aCinema and technology (Amsterdam, Netherlands) ; _v1. _0http://id.loc.gov/authorities/names/no2020016268
856			_uhttps://docs.google.com/spreadsheets/d/1yKIrdCPDAG_9c22mwoOIO2DOhtj65Wqa/edit?usp=sharing&ouid=106555315294820607512&rtpof=true&sd=true _yList of Curated E-Books
942			_2lcc _cE-BOOK
994			_a92 _bPHURS
999			_c48826 _d48826