000			03462cam a22006258i 4500
003			PHURS
005			20221125083354.0
008			180627t20182018ne ob 001 0 eng
040			_aDLC _beng _erda _epn _cDLC _dOCLCO _dN$T _dYDX _dEBLCP _dUAB _dOCLCF _dINT _dOCLCQ _dOSU _dOCLCQ _dJSTOR _dOCLCO
020			_a9789004363304 _q(electronic bk.)
020			_a9004363300 _q(electronic bk.)
020			_z9789004363298 _q(hardcover ; _qalk. paper)
020			_z9004363297 _q(hardcover ; _qalk. paper)
050	1	0	_aPN1995.9.S47 _bW77 2018eb
100	1		_aWoodland, Sarah, _eauthor. _0http://id.loc.gov/authorities/names/n2018037322
245	1	0	_aRemaking gender and the family : _bperspectives on contemporary Chinese-language film remakes / _cby Sarah Woodland.
263			_a1805
264		1	_aLeiden ; _aBoston : _bBrill, _c[2018]
264		4	_c©2018
300			_a1 online resource (vii, 157 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bn _2rdamedia
338			_aonline resource _bnc _2rdacarrier
490	1		_aWomen and gender in China studies ; _vvolume 9
520	8		_aIn Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural fi lms, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Remaking the modern family -- Gender, genre and the auteur -- Ghosts of Chinas past and present -- History repeating in Spring in a Small Town -- Remaking "China."
588	0		_aPrint version record.
590			_aJSTOR _bBooks at JSTOR Open Access
650		0	_aSex role in motion pictures.
650		0	_aWomen in motion pictures.
650		0	_aFamilies in motion pictures.
650		0	_aFilm remakes _zChina _xHistory.
650		0	_aMotion pictures _zChina _xHistory.
650		6	_aRôle selon le sexe au cinéma.
650		6	_aFemmes au cinéma.
650		6	_aFamilles au cinéma.
650		6	_aNouvelles versions (Films) _zChine _xHistoire.
650		6	_aCinéma _zChine _xHistoire.
650		7	_aPERFORMING ARTS _xReference.
650		7	_aPERFORMING ARTS / Film & Video / General
650		7	_aFamilies in motion pictures.
650		7	_aFilm remakes.
650		7	_aMotion pictures.
650		7	_aSex role in motion pictures.
650		7	_aWomen in motion pictures.
651		7	_aChina.
655		4	_aElectronic books.
655		7	_aHistory.
776	0	8	_iPrint version: _aWoodland, Sarah. _tRemaking gender and the family. _dLeiden; Boston : Brill, [2018] _z9789004363298 _w(DLC) 2018012372 _w(OCoLC)1028851976
830		0	_aWomen and gender in China studies ; _vv. 9. _0http://id.loc.gov/authorities/names/no2009113358
856	4	0	_uhttps://www.jstor.org/stable/10.1163/j.ctv2gjwn37
942			_2lcc _cE-BOOK
994			_a92 _bPHURS
999			_c57442 _d57442