000			01605nam a2200241Ii 4500
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100	1		_aPantenburg, Volker, _eauthor
245		0	_aFarocki/Godard. Film as Theory
264			_bAmsterdam University Press _c2015
300			_a1 online resource (292 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490			_aFilm Culture in Transition
520			_aThere is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create film as theory.
653			_aEssay Film
653			_aFilm Theory
653			_aHarun Farocki
653			_aJean-Luc Godard
653			_aPhotography
856			_uhttps://library.oapen.org/bitstream/20.500.12657/32375/1/611670.pdfhttp://library.oapen.org/handle/20.500.12657/32375
942			_cE-BOOK
999			_c62500 _d62500