| 000 | 01518nam a2200253Ii 4500 | ||
|---|---|---|---|
| 008 | 221202s xx 000 0 und d | ||
| 100 | 1 |
_aAndersson, Lars Gustaf, _eauthor |
|
| 245 | 4 | _aThe Cultural Practice of Immigrant Filmmaking | |
| 246 | _aMinor Immigrant Cinemas in Sweden 1950:1990 | ||
| 264 |
_bIntellect _c2019 |
||
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 520 | _aBased on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association. | ||
| 653 | _aImmigrant | ||
| 653 | _aMedia & Communications | ||
| 653 | _aMinor Cinema | ||
| 653 | _aPublic Sphere | ||
| 653 | _aTransnational Film Historiography | ||
| 700 | 1 | _aSundholm, John | |
| 856 | _uhttps://library.oapen.org/bitstream/20.500.12657/25077/1/1005017.pdfhttp://library.oapen.org/handle/20.500.12657/25077 | ||
| 942 | _cE-BOOK | ||
| 999 |
_c66159 _d66159 |
||