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008 221201t20152015ne fo d z eng d
020 _a9789048527557
040 _aDE-B1597
_beng
_cDE-B1597
_erda
041 0 _aeng
050 4 _aPN1998.3.F365
_bP3613 2015
082 0 4 _a791
100 1 _aPantenburg, Volker,
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 0 _aFarocki/Godard :
_bFilm as Theory /
_cVolker Pantenburg.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (348 p.) :
_b99 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Culture in Transition
505 0 0 _tFrontmatter --
_tContents --
_tPreface To The English Edition --
_tIntroduction --
_t1. Le Film Qui Pense --
_t2. The Camera As Brush-Film And Painting --
_t3. Deviation As Norm-Notes On The Essay Film --
_t4. Cut-Interlude In The Editing Room --
_t5. Taking Pictures-Photography And Film --
_t6. Two Or Three Ways Of Speaking With The Hands --
_tConclusion --
_tConclusion --
_tAcknowledgments --
_tIllustration Credits --
_tIndex Of Film Titles --
_tIndex Of Names
506 0 _funrestricted online access
_2star
520 _aThis book brings together two major filmmakers-German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
538 _aMode of access: Internet via World Wide Web.
540 _aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license:
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aMotion pictures
_xPhilosophy.
650 4 _aFilm, Media, and Communication.
650 7 _aART / Film & Video.
_2bisacsh
653 _aHarun Farocki, Jean-Luc Godard, Film Theory, Essay Film.
700 1 _aHellmann, Kristina,
_econtributor.
_4ctb
_4https://id.loc.gov/vocabulary/relators/ctb
856 4 0 _uhttps://doi.org/10.1515/9789048527557
_zOpen Access
_70
856 4 0 _uhttps://www.degruyter.com/isbn/9789048527557
_zOpen Access
_70
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048527557/original
942 _cE-BOOK
999 _c72011
_d72010