| 000 | 03397nam a22005655i 4500 | ||
|---|---|---|---|
| 005 | 20230718140500.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20182018ne fo d z eng d | ||
| 010 | _a2018415134 | ||
| 020 | _a9789048534005 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 041 | 0 | _aeng | |
| 050 | 0 | 0 |
_aPN1995.9.V595 _bP65 2018 |
| 050 | 4 |
_aPN1995 _b.P65 2018eb |
|
| 082 | 0 | 4 |
_a791 _222 |
| 100 | 1 |
_aPollmann, Inga, _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
|
| 245 | 1 | 0 |
_aCinematic Vitalism : _bFilm Theory and the Question of Life / _cInga Pollmann. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2018] |
|
| 264 | 4 | _c©2018 | |
| 300 |
_a1 online resource (324 p.) : _b30 halftones |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 | _aFilm Theory in Media History | |
| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tAcknowledgments -- _tIntroduction: 'The sanguine, pulsating, enterprising modern life': Cinema and Vitalism -- _t1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- _t2. New Worlds: Uexküll's Umwelt Theory at the Movies -- _t3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film -- _t4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory -- _tConclusion: Vital Media -- _tBibliography -- _tIndex of Films -- _tIndex of Names -- _tIndex of Subjects |
| 506 | 0 |
_funrestricted online access _2star |
|
| 520 | _aThis book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access |
||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
|
| 650 | 0 | _aVitalism in motion pictures. | |
| 650 | 0 |
_aVitalism _xIn motion pictures. |
|
| 650 | 4 | _aFilm Studies. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
|
| 653 | _aFilm Theory. | ||
| 653 | _aFilm and Modernity. | ||
| 653 | _aFilm and Philosophy. | ||
| 653 | _aFilm and Science. | ||
| 653 | _aGerman Cinema. | ||
| 653 | _aVitalism. | ||
| 856 | 4 | 0 |
_uhttps://doi.org/10.1515/9789048534005?locatt=mode:legacy _zOpen Access _70 |
| 856 | 4 | 0 |
_uhttps://www.degruyter.com/isbn/9789048534005 _zOpen Access _70 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048534005/original |
| 942 | _cE-BOOK | ||
| 999 |
_c72046 _d72045 |
||