000			04007nam a22004575i 4500
005			20230718140504.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220629t20181988nyu fo d z eng d
020			_a9781501726293
040			_aDE-B1597 _beng _cDE-B1597 _erda
041	0		_aeng
050		4	_aF265.A1 _b.F677 1988eb
082	0	4	_a301.09756 _219
100	1		_aForrest, John, _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut
245	1	0	_aLord I'm Coming Home : _bEveryday Aesthetics in Tidewater North Carolina / _cJohn Forrest.
264		1	_aIthaca, NY : _bCornell University Press, _c[2018]
264		4	_c©1988
300			_a1 online resource (276 p.) : _b66 Illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aThe Anthropology of Contemporary Issues
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _t1. The Fishing Day -- _t2. The Aesthetic Realm -- _t3. The Field Site -- _t4. Aesthetics at Home -- _t5. Aesthetics at Work -- _t6. Aesthetics of the Church -- _t7. Aesthetics of Leisure -- _t8. Synthesis -- _tAppendix A: Outlines of Selected Sermons -- _tAppendix B: Tale of Wallace Tyler, Version #2 -- _tReferences -- _tIndex
506	0		_funrestricted online access _2star
520			_aLord I'm Coming Home focuses on a small, white, rural fishing community on the southern reaches of the Great Dismal Swamp in North Carolina. By menas of a new kind of anthropological fieldwork, John Forrest seeks to document the entire aesthetic experience of a group of people, showing the aesthetic to be an "everyday experience and not some rarefied and pure behavior reserved for an artistic elite."The opening chapter of the book is a vivid fictional narrative of a typical day in "Tidewater," presented from the perspective of one fisherman. In the following two chapters the author sets forth the philosophical and anthropological foundations of his book, paying particular attention to problems of defining "aesthetic," to methodolgocial concerns, and to the natural landscape of his field site. Reviewing his own experience as both participant and observer, he then describes in scrupulous detail the aesthetic forms in four areas of Tidewater life: home, work, church, and leisure. People use these forms, Forrest shows, to establish personal and group identities, facilitate certain kinds of interactions while inhibiting others, and cue appropriate behavior. His concluding chapter deals with the different life cycles of men and women, insider-outsider relations, secular and sacred domains, the image and metaphor of "home," and the essential role that aesthetics plays in these spheres. The first ethnography to evoke the full aesthetic life of a community, Lord I'm Coming Home will be important reading not only for anthropologists but also for scholars and students in the fields of American studies, art, folklore, and sociology.
538			_aMode of access: Internet via World Wide Web.
540			_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0 _uhttps://www.degruyter.com/dg/page/open-access-policy
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aAesthetics _xSocial aspects _zNorth Carolina.
650		0	_aEthnology _zNorth Carolina.
650		4	_aAnthropology.
650		7	_aSOCIAL SCIENCE / Anthropology / Cultural & Social. _2bisacsh
700	1		_aBlincoe, Deborah.
856	4	0	_uhttps://doi.org/10.7591/9781501726293?locatt=mode:legacy _zOpen Access _70
856	4	0	_uhttps://www.degruyter.com/isbn/9781501726293 _zOpen Access _70
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501726293/original
942			_cE-BOOK
999			_c72111 _d72110