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Emerging Bodies : The Performance of Worldmaking in Dance and Choreography / ed. by Sandra Noeth, Gabriele Klein.

Contributor(s): Material type: TextTextLanguage: English Series: TanzScripte ; 21Publisher: Bielefeld : transcript Verlag, [2014]Copyright date: ©2011Edition: 1. AuflDescription: 1 online resource (264 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783839415962
Subject(s): Additional physical formats: No titleDDC classification:
  • 792.62
LOC classification:
  • GV1783 .K384 2014
Online resources:
Contents:
Frontmatter -- Contents -- Introduction -- SOCIAL REALMS -- Dancing Politics: Worldmaking in Dance and Choreography -- Between Intervention and Utopia: Dance Politics -- Dance and Work: The Aesthetic and Political Potential of Dance -- The Collective That Isn't One -- HYBRID SPHERES -- Jérôme Bel and Myself: Gender and Intercultural Collaboration -- Transnationalism and Contemporary African Dance: Faustin Linyekula -- Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums -- The Bluff of Contemporary Dance -- ART WORLDS -- Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess -- Autobiography and the Coulisses: Narrator, Dancer, Spectator -- Dance Images. Dance Films as an Example of the Representation and Production of Movement -- Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up -- DIGITAL WORLDS - PROCESSING BODIES -- Gesture Capture: Paradigms in Interactive Music/ Dance Systems -- Tables of Weights and Measures: Architecture and the Synchronous Objects Project -- Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas -- WORKING PRINCIPLES -- Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds -- Situational Worlds. Complicity as a Model of Collaboration -- Protocols of Encounter: On Dance Dramaturgy -- Notes on Contributors -- Backmatter
Summary: The concept of »worldmaking« is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.
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Frontmatter -- Contents -- Introduction -- SOCIAL REALMS -- Dancing Politics: Worldmaking in Dance and Choreography -- Between Intervention and Utopia: Dance Politics -- Dance and Work: The Aesthetic and Political Potential of Dance -- The Collective That Isn't One -- HYBRID SPHERES -- Jérôme Bel and Myself: Gender and Intercultural Collaboration -- Transnationalism and Contemporary African Dance: Faustin Linyekula -- Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums -- The Bluff of Contemporary Dance -- ART WORLDS -- Transcription - Materiality - Signature. Dancing and Writing between Resistance and Excess -- Autobiography and the Coulisses: Narrator, Dancer, Spectator -- Dance Images. Dance Films as an Example of the Representation and Production of Movement -- Against the Beat. Music, Dance and the Image in Michelangelo Antonioni's Blow-Up -- DIGITAL WORLDS - PROCESSING BODIES -- Gesture Capture: Paradigms in Interactive Music/ Dance Systems -- Tables of Weights and Measures: Architecture and the Synchronous Objects Project -- Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas -- WORKING PRINCIPLES -- Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds -- Situational Worlds. Complicity as a Model of Collaboration -- Protocols of Encounter: On Dance Dramaturgy -- Notes on Contributors -- Backmatter

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The concept of »worldmaking« is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material.The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.

funded by Knowledge Unlatched - KU Select 2016: Backlist Collection

Mode of access: Internet via World Wide Web.

This eBook is made available Open Access under a CC BY-NC-ND 3.0 license:

https://creativecommons.org/licenses/by-nc-nd/3.0

https://www.degruyter.com/dg/page/open-access-policy

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)

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