Curating Contemporary Music Festivals : A New Perspective on Music's Mediation / Brandon Farnsworth.
Material type: TextLanguage: English Series: Musik und Klangkultur ; 47Publisher: Bielefeld : transcript Verlag, [2020]Copyright date: ©2020Description: 1 online resource (326 p.)Content type:- text
- computer
- online resource
- 9783839452431
- Music festivals
- Berliner Festspiele
- Cultural Management
- Munich Biennale For New Music Theatre
- Music Management
- Music
- Musicology
- Münchner Biennale Für Neues Musiktheater
- Neue Musik
- New Music
- BUSINESS & ECONOMICS / Management
- Berliner Festspiele
- Cultural Management
- Munich Biennale For New Music Theatre
- Music Management
- Music
- Musicology
- Münchner Biennale Für Neues Musiktheater
- Neue Musik
- New Music
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
E-Book | De Gruyter | Available |
Frontmatter -- Contents -- Image and Figure Rights -- 1. Introduction -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2. Curating -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3. Performative Curating and Experimental Performance -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4. Munich Biennale for New Music Theater -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5. Maerzmusik: Festival für Zeitfragen -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
Open Access unrestricted online access star
https://purl.org/coar/access_right/c_abf2
Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
funded by Zürcher Hochschule der Künste (ZHdK)
Mode of access: Internet via World Wide Web.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:
https://creativecommons.org/licenses/by-nc-nd/4.0
https://www.degruyter.com/dg/page/open-access-policy
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
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